The rest of Justin's address carries on his love-hate relationship with Greek culture. Whilst on the one hand he can be quite disparaging, even to state that most if not all the philosophers are suffering in Hades and of no use, on the other hand he tries to find links between that culture and the Bible.
Hence Plato is said to have learned from Moses. Why is this not clearer in Plato's writings? At times, Justin suggests it is because Plato misinterpreted Moses, at others because he was afraid of suffering the same fate as Socrates.
Finally, Justin ends with a very enigmatic statement that the ancient Sybil prophesied the coming of Christ.
Showing posts with label Hortatory Address to the Greeks. Show all posts
Showing posts with label Hortatory Address to the Greeks. Show all posts
Tuesday, May 08, 2007
Monday, May 07, 2007
Hortatory Address to the Greeks
Chapters 1-18 are a rather strange bunch. Justin begins by demolishing Greek religion, poetry and philosophy (not even the great Plato and Aristotle escape) by pointing to its internal contradictions and ridiculous features, yet in the end, still appeals to the same tradition to support the notion of monotheism.
Justin also engages in a rather weak argument concerning the antiquity of Moses. He obviously believes in the Septuagint legend, and places great value on it.
On a theological level it is interesting to note that Justin describes the inspiration of scripture as the Holy Spirit using the Biblical authors as a musician would use an instrument. I wonder whether he would allow the shape and nature of the instrument to effect the music played, i.e. move away from a dictation-theory of inspiration?
Justin also engages in a rather weak argument concerning the antiquity of Moses. He obviously believes in the Septuagint legend, and places great value on it.
On a theological level it is interesting to note that Justin describes the inspiration of scripture as the Holy Spirit using the Biblical authors as a musician would use an instrument. I wonder whether he would allow the shape and nature of the instrument to effect the music played, i.e. move away from a dictation-theory of inspiration?
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